
Date: | November 21, 2024 - December 1, 2024 |
Time: | Nov 24, Dec 1 at 2pm; Nov 21-23, Nov 28-30 at 7:30 pm |
Location: | The Chilliwack Cultural Centre 9201 Corbould St., Chilliwack BC |
Price: | Adults: 30.00 Students and Seniors: 27.50 |
Tickets: | https://chilliwackculturalcentre.ca |
By Jane Austen
Adapted by Kate Hamill
Directed by Katy Lowe
Produced by Debra Archer
By Permission of Dramatists Play Service
Click here for the show's program
Director: Katy Lowe
Producer: Debra Archer
Stage Manager: Ann-Marie Blessin
Assistant Stage Manager: Trisha Knight-Good
Costume Design/Construction: Maggie Saunders
Graphic Design: Graham Archer
Lighting Design: Clint Hames
Set Design: Graham Archer
Sound Design: Yvette Howard
Properties — Judy Hill, asst. Trisha Knight-Good
Choreography — Courtney Dalton
Lighting Operator —– Hayden Simpson, asst. Julia Nunes
Sound Operators —– Constance Coffey,
Stage Crew —– Nadia Hugh, Nancy Arnold
Set Construction – – Rick Funk, Bob Audet, Graham Archer, Ken Watson, John Pronger, Phil Mulholland
Set Decoration – Astrid Wettig,
Set Painting – Astrid Wettig, Jasmine Humphreys, Suzanne Gresham, TJ MacPherson, Debra Archer
Public Relations – Clint Hames, T.J. MacPherson, Debra Archer
Dressers – Steve Saunders, Barb Funk
Costume Assistant — Nora Rackliff
Costume Creators —– Nora Rackliff, Barb Funk
Hair / Makeup Design – Jessica Fulkerson
Asst. Hair/ Makeup – Jen Erlandson, Aby Erlandson, Paul Nguyen
Photography – – Ian Meissner, Graham Dowden
Lobby Display – Audrey Neufeld, Laura Hames
Program – Sandy Tait
Photos by Graham Dowden
This isn’t your grandmother’s Austen! Bold, surprising, boisterous, and timely, this P&P for a new era explores the absurdities and thrills of finding your perfect (or imperfect) match in life. The outspoken Lizzy Bennet is determined to never marry, despite mounting pressure from society. But can she resist love, especially when that vaguely handsome, mildly amusing, and impossibly aggravating Mr. Darcy keeps popping up at every turn?! Literature’s greatest tale of latent love has never felt so theatrical, or so full of life than it does in this effervescent adaptation. Because what turns us into greater fools…than the high-stakes game of love?
“Hamill…has a gift for condensing three-volume novels into galloping two-act plays. Her screwball PRIDE AND PREJUDICE…is as frolicsome as her earlier efforts. It hasn’t met a rib it can’t tickle.” —The New York Times.
“The ever-ingenious Hamill has given us something completely and delightfully different, a smallish-cast period-dress PRIDE AND PREJUDICE…adapted with fizzy, festive freedom, Hamill’s [PRIDE AND PREJUDICE] is full of Bringing Up Baby-style slapstick and the kind of barely controlled chaos that you’d expect to see in a five-door Feydeau farce…” —Wall Street Journal.
“…a laugh-out-loud adaptation… Hamill…give[s] Austen’s novel a deliciously antic sensibility…This PRIDE AND PREJUDICE has comedy at its heart, but regarding the treatment of women, it shows us enough unsettling similarities between the 18th century and now to make us pause thoughtfully between laughs.” —TheaterMania.
- Making newspapers
- Move-in Day
- Set building at the Guildhall
- Set painting
- Hair & Makeup
- Costumes
- At the Cultural Centre
Click to enlarge